The construction of the Cathedral of Granada began in the Gothic style and concluded in the Baroque style, presenting numerous formal and technical challenges. The floor plan, reflecting the grandeur typical of Gothic cathedrals, was designed by Enrique Egas, a master of Flemish descent. Hidden within its design are ancient secrets linked to European stonemasons' guilds, the lodges associated with the Cathar and Albigensian movements, and even the Templars. These features were dispersed around the world when the aforementioned heretics were persecuted and the Templar order was dismantled.
The floor plan caused significant issues for the building's subsequent development when other architects, particularly Siloé, attempted to transform the original Gothic style into the Roman style. Another remarkable feature is the façade by Alonso Cano, a truly marvellous example of Baroque scenography, culminating in the bell tower, which holds more than one secret within.
The Cathedral of Granada, also known as the Cathedral of the Incarnation, is a Roman Catholic church located in the heart of Granada. It was built on the site of the city's main mosque after the Reconquista in 1492. The construction began in 1518 and took 181 years to complete, showcasing a blend of Gothic, Renaissance, and Baroque architectural styles. The cathedral is a testament to the rich history and cultural evolution of Granada, reflecting the city's transition from Muslim to Christian rule.
One of the most striking features of the cathedral is its façade, designed by Alonso Cano, which combines elements of Baroque scenography with Renaissance architecture. Inside, visitors can admire the grand altar, the intricate stained glass windows, and the impressive dome, which was inspired by Italian Renaissance designs. The cathedral also houses a collection of religious art and artefacts, including works by renowned artists such as El Greco and Alonso Cano.
Constructed as a sepulchre for the monarchs resting in its crypt, its style is a unique epilogue of the Gothic, often termed Elizabethan or Plateresque. Its collection of Flemish panels is extraordinary, and the magnificent ironwork should not be missed either.
Located at the junction formed by the Cathedral and the Royal Chapel is the side chapel and guildhall of the church, both of which have been recently restored.
Granada's Baroque shares an importance with that of other Andalusian cities. Its Flemish panels, owned by the Catholic Queen, were simply unparalleled. Today, these can be admired in the Royal Chapel. The presence of this magnificent collection further complicates our understanding of the unique world that shaped Granada's artistic taste during the era of the Catholic Monarchs.
The Cathedral of Granada is open to visitors from Monday to Saturday, from 10:00 to 18:15, and on Sundays from 15:00 to 18:15. It is recommended to check for any changes in the schedule due to religious ceremonies or special events. Admission fees are €6 for individuals, €4.50 for students and people with disabilities, and free for children under 12 years old.
The Cathedral of Granada is not only a place of worship but also a testament to the rich history and architectural evolution of the region. Visitors can explore the intricate details of its design, which reflect the various cultural and historical influences that have shaped its construction over the centuries. The cathedral's main façade resembles a triumphal arch, and its interior features a blend of Gothic and Renaissance styles. The Royal Chapel, connected to the cathedral, is the final resting place of the Catholic Monarchs, Queen Isabella I of Castile and King Ferdinand II of Aragon.
In addition to its architectural and artistic significance, the Cathedral of Granada continues to play an important role in the religious and cultural life of the city, hosting various events and ceremonies throughout the year.
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